VTG TREASURE PICTURE MOTHER GOOSE WINNIE POOH EEYOREs BIRTHDAY
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GREETINGS, FEEL FREE TO "SHOP NAKED." © We deal in items we believe others will enjoy and want to purchase. We are not experts. We welcome any comments, questions, or concerns. WE ARE TARGETING A GLOBAL MARKET PLACE. Thanks in advance for your patronage. Please Be sure to add WDG to your favorites list ! NOW FOR YOUR VIEWING PLEASURE… (3) three PIECES (2) two CHILDRENS BOOKS GREAT FOR STORY TIME and (1) one STUFFED PLUSH WINNIE Take ONE or ALL THE BIG TREASURE BOOK OF MOTHER GOOSE COPYRIGHT 1953 GROSSET & DUNLAP PRINTED IN THE UNITED STATES HARDCOVER FULLY ILLUSTRATED LARGE PRINT ADORABLE ART WORK +++PLUS+++ (1) WALT DISNEY PRESENTS WINNIE THE POOH AND EEYORE'S BIRTHDAY COPYRIGHT 1973 A STORY BY A.A. MILNE A BIG GOLDEN BOOK PICTURES BY WALT DISNEY STUDIOS ADAPTED BY NORM MCGARY AND BILL LORENZ 28 PAGE HARD COVER PICTURE BOOK ALL THE LOVABLE CHARACTERS OF THE 100 ACRE WOODS +++PLUS+++ (1) WINNIE THE POOH STUFFED PLUSH TOY MANUFACTURED FOR SEARS CIRCA 1960 DOLL IS ABOUT 10" HIGH STUFF TEDDY BEAR SHOWS AGE & LOVE WEAR OTHERWISE GOOD ---------------------------------------------- FYI
The figure of Mother Goose is an imaginary author of a collection of fairy tales and nursery rhymes often published as Mother Goose Rhymes. As a character, she appears in one nursery rhyme. A Christmas pantomime called Mother Goose is often performed in the United Kingdom. The so-called "Mother Goose" rhymes and stories have formed the basis for many classic British pantomimes. Mother Goose is generally depicted in literature and book illustration as an elderly country woman in a tall hat and shawl, a costume identical to the peasant costume worn in Wales in the early 20th century, but is sometimes depicted as a goose (usually wearing a bonnet).
Identity
Mother Goose is the name given to an archetypal country woman. She is credited with the Mother Goose stories and rhymes popularized in the 1700s in English-language literature, although no specific writer has ever been identified with such a name.
17th century English readers would have been familiar with Mother Hubbard, a stock figure when Edmund Spenser published his satire Mother Hubberd's Tale in 1590; as well as with similar fairy tales told by "Mother Bunch" (the pseudonym of Madame d'Aulnoy) in the 1690s. An early mention appears in an aside in a French versified chronicle of weekly happenings, Jean Loret's La Muse Historique, collected in 1650. His remark, comme un conte de la Mère Oye ("like a Mother Goose story") shows that the term was readily understood. Additional 17th century Mother Goose/Mere l'Oye references appear in French literature in the 1620s and 1630s.
In "The Real Personages of Mother Goose" (1930), Katherine Elwes-Thomas submits that the image and name "Mother Goose", or "Mère l'Oye", may be based upon ancient legends of the wife of King Robert II of France, known as "Berthe la fileuse" ("Bertha the Spinner") or Berthe pied d'oie ("Goose-Foot Bertha" ), who, according to Elwes-Thomas, is often referred in French legends as spinning incredible tales that enraptured children.[citation needed] Another authority on the Mother Goose tradition, Iona Opie, does not give any credence to either the Elwes-Thomas or the Boston suppositions.
Despite evidence to the contrary, there are reports, familiar to tourists to Boston, Massachusetts, that the original Mother Goose was a Bostonian wife of an Isaac Goose, either named Elizabeth Foster Goose (1665–1758) or Mary Goose (d. 1690, age 42) who is interred at the Granary Burying Ground on Tremont Street. According to Eleanor Early, a Boston travel and history writer of the 1930s and '40s, the original Mother Goose was a real person who lived in Boston in the 1660s. She was reportedly the second wife of Isaac Goose (alternatively named Vergoose or Vertigoose), who brought to the marriage six children of her own to add to Isaac's ten. After Isaac died, Elizabeth went to live with her eldest daughter, who had married Thomas Fleet, a publisher who lived on Pudding Lane (now Devonshire Street). According to Early, "Mother Goose" used to sing songs and ditties to her grandchildren all day, and other children swarmed to hear them. Finally, her son-in-law gathered her jingles together and printed them.
John Newbery was once believed to have published a compilation of English nursery rhymes entitled Mother Goose's Melody, or, Sonnets for the cradle some time in the 1760s, but the first edition was probably published in 1780 or 1781 by Thomas Carnan, one of Newbery's successors. This edition was registered with the Stationers' Company in 1780. However, no copy has been traced, and the earliest surviving edition is dated 1784. The name "Mother Goose" has been associated, in the English-speaking world, with children's poetry ever since.
In 1837, John Bellenden Ker Gawler published a book (with a 2nd-volume sequel in 1840) deriving the origin of the Mother Goose rhymes from Flemish ('Low Dutch') puns.
In music, Maurice Ravel wrote Ma mère l'oye, a suite for the piano, which he then orchestrated for a ballet. There is also a song called "Mother Goose" by progressive rock band Jethro Tull from their 1971 Aqualung album. The song seems to be unrelated to the figure of Mother Goose since she is only the first of many surreal images that the narrator encounters and describes through the lyrics.
------------------------
Winnie-the-Pooh, also called Pooh Bear, is a fictional anthropomorphic teddy bear created by A. A. Milne. The first collection of stories about the character was the book Winnie-the-Pooh (1926), and this was followed by The House at Pooh Corner (1928). Milne also included a poem about the bear in the children's verse book When We Were Very Young (1924) and many more in Now We Are Six (1927). All four volumes were illustrated by E. H. Shepard.
The Pooh stories have been translated into many languages, including Alexander Lenard's Latin translation, Winnie ille Pu, which was first published in 1958, and, in 1960, became the only Latin book ever to have been featured on The New York Times Best Seller list.
Hyphens in the character's name were dropped by Disney when the company adapted the Pooh stories into a series of features that became one of its most successful franchises. In popular film adaptations, Pooh Bear has been voiced by actors Sterling Holloway, Hal Smith, and Jim Cummings in English and Yevgeny Leonov in Russian.
A live action adaptation of the film is currently in development with screenwriter Alex Ross Perry on board to write the screenplay. The story will focus on an adult Christopher Robin returning to the Hundred Acre Wood.
Milne named the character Winnie-the-Pooh for a teddy bear owned by his son, Christopher Robin Milne, who was the basis for the character Christopher Robin. Christopher's toys also lent their names to most of the other characters, except for Owl, Rabbit, and Gopher. Gopher was added to the Disney version. Christopher Robin's toy bear is now on display at the Main Branch of the New York Public Library in New York City.
Christopher Milne had named his toy bear after Winnie, a Canadian black bear he often saw at London Zoo, and "Pooh", a swan they had met while on holiday. The bear cub was purchased from a hunter for $20 by Canadian Lieutenant Harry Colebourn in White River, Ontario, Canada, while en route to England during the First World War. He named the bear "Winnie" after his adopted hometown in Winnipeg, Manitoba. "Winnie" was surreptitiously brought to England with her owner, and gained unofficial recognition as The Fort Garry Horse regimental mascot. Colebourn left Winnie at the London Zoo while he and his unit were in France; after the war she was officially donated to the zoo, as she had become a much loved attraction there. Pooh the swan appears as a character in its own right in When We Were Very Young.
In the first chapter of Winnie-the-Pooh, Milne offers this explanation of why Winnie-the-Pooh is often called simply "Pooh": But his arms were so stiff ... they stayed up straight in the air for more than a week, and whenever a fly came and settled on his nose he had to blow it off. And I think – but I am not sure – that that is why he is always called Pooh.
In the Milne books, Pooh is naive and slow-witted, but he is also friendly, thoughtful, and steadfast. Although he and his friends agree that he "has no Brain," Pooh is occasionally acknowledged to have a clever idea, usually driven by common sense. These include riding in Christopher Robin's umbrella to rescue Piglet from a flood, discovering "the North Pole" by picking it up to help fish Roo out of the river, inventing the game of Poohsticks, and getting Eeyore out of the river by dropping a large rock on one side of him to wash him towards the bank.
Pooh is also a talented poet, and the stories are frequently punctuated by his poems and "hums." Although he is humble about his slow-wittedness, he is comfortable with his creative gifts. When Owl's house blows down in a storm, trapping Pooh and Piglet and Owl inside, Pooh encourages Piglet (the only one small enough to do so) to escape and rescue them all by promising that "a respectful Pooh song" will be written about Piglet's feat. Later, Pooh muses about the creative process as he composes the song.
Pooh is very fond of food, especially "hunny" but also condensed milk and other items. When he visits friends, his desire to be offered a snack is in conflict with the impoliteness of asking too directly. Though intending to give Eeyore a pot of honey for his birthday, Pooh can not resist eating the honey on his way to deliver the present, and so instead gives Eeyore "a useful pot to put things in". When he and Piglet are lost in the forest during Rabbit's attempt to "unbounce" Tigger, Pooh finds his way home by following the "call" of the honeypots from his house. Pooh makes it a habit to have "a little something" around eleven o'clock in the morning. As the clock in his house "stopped at five minutes to eleven some weeks ago," any time can be Pooh's snack time.
Pooh is very social. After Christopher Robin, his closest friend is Piglet, and he most often chooses to spend his time with one or both of them. But he also habitually visits the other animals, often looking for a snack or an audience for his poetry as much as for companionship. His kind-heartedness means he goes out of his way to be friendly to Eeyore, visiting him and bringing him a birthday present and building him a house, despite receiving mostly disdain from Eeyore in return.
After Slesinger's death in 1953, his wife, Shirley Slesinger Lasswell, continued developing the character herself. In 1961, she licensed rights to Walt Disney Productions in exchange for royalties in the first of two agreements between Stephen Slesinger, Inc. and Disney. The same year, A. A. Milne's widow, Daphne Milne, also licensed certain rights, including motion picture rights, to Disney.
Since 1966, Disney has released numerous animated productions starring Winnie the Pooh and related characters. These have included theatrical featurettes, television series, and direct-to-video films, as well as the theatrical feature-length films The Tigger Movie, Piglet's Big Movie, Pooh's Heffalump Movie, and Winnie the Pooh. --------------------------- Thanks for choosing this auction. You may email for alternate payment arrangements. We combine shipping. Please pay promptly after the auction. The item will be shipped upon receipt of funds. Also, INTERNATIONAL CUSTOMS is the international buyers obligation and must be aware of their own customs laws. We cannot be responsible for seized or quarantine purchases. If your shipping costs seems high, it is because we ensure that your purchase is well packed, quickly delivered, and insured to arrive safe and sound. WE ARE GOING GREEN, SO WE DO SOMETIMES USE CLEAN RECYCLED MATERIALS TO SHIP. Please leave feedback when you have received the item and are satisfied. Please respond when you have received the item * If you were pleased with this transaction, please respond with all 5 stars! If you are not pleased, let us know via e-mail. Our goal is for 5-star service. We want you to be a satisfied, return customer. Please express any concerns or questions. More pictures are available upon request. The winning bid will incur the cost of S/H INSURED FEDEX OR USPS. See rate calculator or email FOR ESTIMATE. International Bidders are Welcome but be mindful if your country is excluded from safe shipping. Thanks for perusing THIS and ALL our auctions. Please Check out our other items ! WE like the curious and odd. BUY, BYE!!
The figure of Mother Goose is an imaginary author of a collection of fairy tales and nursery rhymes often published as Mother Goose Rhymes. As a character, she appears in one nursery rhyme. A Christmas pantomime called Mother Goose is often performed in the United Kingdom. The so-called "Mother Goose" rhymes and stories have formed the basis for many classic British pantomimes. Mother Goose is generally depicted in literature and book illustration as an elderly country woman in a tall hat and shawl, a costume identical to the peasant costume worn in Wales in the early 20th century, but is sometimes depicted as a goose (usually wearing a bonnet).
Identity
Mother Goose is the name given to an archetypal country woman. She is credited with the Mother Goose stories and rhymes popularized in the 1700s in English-language literature, although no specific writer has ever been identified with such a name.
17th century English readers would have been familiar with Mother Hubbard, a stock figure when Edmund Spenser published his satire Mother Hubberd's Tale in 1590; as well as with similar fairy tales told by "Mother Bunch" (the pseudonym of Madame d'Aulnoy) in the 1690s. An early mention appears in an aside in a French versified chronicle of weekly happenings, Jean Loret's La Muse Historique, collected in 1650. His remark, comme un conte de la Mère Oye ("like a Mother Goose story") shows that the term was readily understood. Additional 17th century Mother Goose/Mere l'Oye references appear in French literature in the 1620s and 1630s.
In "The Real Personages of Mother Goose" (1930), Katherine Elwes-Thomas submits that the image and name "Mother Goose", or "Mère l'Oye", may be based upon ancient legends of the wife of King Robert II of France, known as "Berthe la fileuse" ("Bertha the Spinner") or Berthe pied d'oie ("Goose-Foot Bertha" ), who, according to Elwes-Thomas, is often referred in French legends as spinning incredible tales that enraptured children.[citation needed] Another authority on the Mother Goose tradition, Iona Opie, does not give any credence to either the Elwes-Thomas or the Boston suppositions.
Despite evidence to the contrary, there are reports, familiar to tourists to Boston, Massachusetts, that the original Mother Goose was a Bostonian wife of an Isaac Goose, either named Elizabeth Foster Goose (1665–1758) or Mary Goose (d. 1690, age 42) who is interred at the Granary Burying Ground on Tremont Street. According to Eleanor Early, a Boston travel and history writer of the 1930s and '40s, the original Mother Goose was a real person who lived in Boston in the 1660s. She was reportedly the second wife of Isaac Goose (alternatively named Vergoose or Vertigoose), who brought to the marriage six children of her own to add to Isaac's ten. After Isaac died, Elizabeth went to live with her eldest daughter, who had married Thomas Fleet, a publisher who lived on Pudding Lane (now Devonshire Street). According to Early, "Mother Goose" used to sing songs and ditties to her grandchildren all day, and other children swarmed to hear them. Finally, her son-in-law gathered her jingles together and printed them.
John Newbery was once believed to have published a compilation of English nursery rhymes entitled Mother Goose's Melody, or, Sonnets for the cradle some time in the 1760s, but the first edition was probably published in 1780 or 1781 by Thomas Carnan, one of Newbery's successors. This edition was registered with the Stationers' Company in 1780. However, no copy has been traced, and the earliest surviving edition is dated 1784. The name "Mother Goose" has been associated, in the English-speaking world, with children's poetry ever since.
In 1837, John Bellenden Ker Gawler published a book (with a 2nd-volume sequel in 1840) deriving the origin of the Mother Goose rhymes from Flemish ('Low Dutch') puns.
In music, Maurice Ravel wrote Ma mère l'oye, a suite for the piano, which he then orchestrated for a ballet. There is also a song called "Mother Goose" by progressive rock band Jethro Tull from their 1971 Aqualung album. The song seems to be unrelated to the figure of Mother Goose since she is only the first of many surreal images that the narrator encounters and describes through the lyrics.
------------------------
Winnie-the-Pooh, also called Pooh Bear, is a fictional anthropomorphic teddy bear created by A. A. Milne. The first collection of stories about the character was the book Winnie-the-Pooh (1926), and this was followed by The House at Pooh Corner (1928). Milne also included a poem about the bear in the children's verse book When We Were Very Young (1924) and many more in Now We Are Six (1927). All four volumes were illustrated by E. H. Shepard.
The Pooh stories have been translated into many languages, including Alexander Lenard's Latin translation, Winnie ille Pu, which was first published in 1958, and, in 1960, became the only Latin book ever to have been featured on The New York Times Best Seller list.
Hyphens in the character's name were dropped by Disney when the company adapted the Pooh stories into a series of features that became one of its most successful franchises. In popular film adaptations, Pooh Bear has been voiced by actors Sterling Holloway, Hal Smith, and Jim Cummings in English and Yevgeny Leonov in Russian.
A live action adaptation of the film is currently in development with screenwriter Alex Ross Perry on board to write the screenplay. The story will focus on an adult Christopher Robin returning to the Hundred Acre Wood.
Milne named the character Winnie-the-Pooh for a teddy bear owned by his son, Christopher Robin Milne, who was the basis for the character Christopher Robin. Christopher's toys also lent their names to most of the other characters, except for Owl, Rabbit, and Gopher. Gopher was added to the Disney version. Christopher Robin's toy bear is now on display at the Main Branch of the New York Public Library in New York City.
Christopher Milne had named his toy bear after Winnie, a Canadian black bear he often saw at London Zoo, and "Pooh", a swan they had met while on holiday. The bear cub was purchased from a hunter for $20 by Canadian Lieutenant Harry Colebourn in White River, Ontario, Canada, while en route to England during the First World War. He named the bear "Winnie" after his adopted hometown in Winnipeg, Manitoba. "Winnie" was surreptitiously brought to England with her owner, and gained unofficial recognition as The Fort Garry Horse regimental mascot. Colebourn left Winnie at the London Zoo while he and his unit were in France; after the war she was officially donated to the zoo, as she had become a much loved attraction there. Pooh the swan appears as a character in its own right in When We Were Very Young.
In the first chapter of Winnie-the-Pooh, Milne offers this explanation of why Winnie-the-Pooh is often called simply "Pooh": But his arms were so stiff ... they stayed up straight in the air for more than a week, and whenever a fly came and settled on his nose he had to blow it off. And I think – but I am not sure – that that is why he is always called Pooh.
In the Milne books, Pooh is naive and slow-witted, but he is also friendly, thoughtful, and steadfast. Although he and his friends agree that he "has no Brain," Pooh is occasionally acknowledged to have a clever idea, usually driven by common sense. These include riding in Christopher Robin's umbrella to rescue Piglet from a flood, discovering "the North Pole" by picking it up to help fish Roo out of the river, inventing the game of Poohsticks, and getting Eeyore out of the river by dropping a large rock on one side of him to wash him towards the bank.
Pooh is also a talented poet, and the stories are frequently punctuated by his poems and "hums." Although he is humble about his slow-wittedness, he is comfortable with his creative gifts. When Owl's house blows down in a storm, trapping Pooh and Piglet and Owl inside, Pooh encourages Piglet (the only one small enough to do so) to escape and rescue them all by promising that "a respectful Pooh song" will be written about Piglet's feat. Later, Pooh muses about the creative process as he composes the song.
Pooh is very fond of food, especially "hunny" but also condensed milk and other items. When he visits friends, his desire to be offered a snack is in conflict with the impoliteness of asking too directly. Though intending to give Eeyore a pot of honey for his birthday, Pooh can not resist eating the honey on his way to deliver the present, and so instead gives Eeyore "a useful pot to put things in". When he and Piglet are lost in the forest during Rabbit's attempt to "unbounce" Tigger, Pooh finds his way home by following the "call" of the honeypots from his house. Pooh makes it a habit to have "a little something" around eleven o'clock in the morning. As the clock in his house "stopped at five minutes to eleven some weeks ago," any time can be Pooh's snack time.
Pooh is very social. After Christopher Robin, his closest friend is Piglet, and he most often chooses to spend his time with one or both of them. But he also habitually visits the other animals, often looking for a snack or an audience for his poetry as much as for companionship. His kind-heartedness means he goes out of his way to be friendly to Eeyore, visiting him and bringing him a birthday present and building him a house, despite receiving mostly disdain from Eeyore in return.
After Slesinger's death in 1953, his wife, Shirley Slesinger Lasswell, continued developing the character herself. In 1961, she licensed rights to Walt Disney Productions in exchange for royalties in the first of two agreements between Stephen Slesinger, Inc. and Disney. The same year, A. A. Milne's widow, Daphne Milne, also licensed certain rights, including motion picture rights, to Disney.
Since 1966, Disney has released numerous animated productions starring Winnie the Pooh and related characters. These have included theatrical featurettes, television series, and direct-to-video films, as well as the theatrical feature-length films The Tigger Movie, Piglet's Big Movie, Pooh's Heffalump Movie, and Winnie the Pooh. --------------------------- Thanks for choosing this auction. You may email for alternate payment arrangements. We combine shipping. Please pay promptly after the auction. The item will be shipped upon receipt of funds. Also, INTERNATIONAL CUSTOMS is the international buyers obligation and must be aware of their own customs laws. We cannot be responsible for seized or quarantine purchases. If your shipping costs seems high, it is because we ensure that your purchase is well packed, quickly delivered, and insured to arrive safe and sound. WE ARE GOING GREEN, SO WE DO SOMETIMES USE CLEAN RECYCLED MATERIALS TO SHIP. Please leave feedback when you have received the item and are satisfied. Please respond when you have received the item * If you were pleased with this transaction, please respond with all 5 stars! If you are not pleased, let us know via e-mail. Our goal is for 5-star service. We want you to be a satisfied, return customer. Please express any concerns or questions. More pictures are available upon request. The winning bid will incur the cost of S/H INSURED FEDEX OR USPS. See rate calculator or email FOR ESTIMATE. International Bidders are Welcome but be mindful if your country is excluded from safe shipping. Thanks for perusing THIS and ALL our auctions. Please Check out our other items ! WE like the curious and odd. BUY, BYE!!
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